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Chez Stendhal il n'y a pas de présentation de l'amour physique parce que c'est le transformer en objet, l'objet n'est que ce qu'il est. ⇒ Stendhal est anti-moderne, anti-pornographe, il laisse son lecteur imaginer (cf. écriture = peinture par le noir et le blanc). Ex. dans La Chartreuse de Parme
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