Baroque Art Questions
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Parmigianino's 1534-40 painting exemplifying Mannerism with elongated features.
Vasari's self-portrait as ________ in a devotional subject.
Camillo Procaccini's 1584 painting in Pinacoteca Nazionale, Bologna, features intense chiaroscuro and ostentatious gestures.
Artwork by Andrea del Sarto, illustrating High Renaissance characteristics.
First formal art academy in Florence, founded by Vasari, Bronzino, and others
Raphael's altarpiece showing a shift towards Mannerist style with exaggerated gestures.
Painter and pupil of Bronzino, Alessandro Allori's 1570-72 work in Palazzo Vecchio epitomizes late Mannerism in Florence.
Federico Zuccaro's 1582 work in Doge's Palace, Venice, showcases dramatic scale changes akin to Tintoretto.
Cosimo de' Medici, Duke of Florence, elevated to Grand Duke of Tuscany in 1569, a sovereign below royalty.
Michelangelo's 1536-41 painting contrasting in mood and style from the Sistine Chapel ceiling.
High Renaissance artist whose late works inspired Mannerist art with contorted poses
Astronomer whose theory challenged the geocentric view of the universe
Italian for 'style' or 'stylishness', used by Giorgio Vasari to describe sophisticated art
Artistic style between High Renaissance and Baroque, featuring elongated figures and unnatural colors
Subject of Bronzino's court portrait, known for elegance and hidden symbolism
Italian artist and writer who coined the term 'maniera' to describe contemporary art
Henry IV Receiving the Portrait of Marie de' Medici details
Landscape with Saint John on Patmos details
Judith Leyster, Self-Portrait details
Bernini, David (1620), Patron: Cardinal Borghese♥intended to be placed next to a wall but was removed♥represents the combat itself♥Baroque sculptors aimed to capture the split second of maximum action♥Bernini sought to make marble flexible♥Expansive and theatrical♥Time plays an important role♥David seems to be moving through space and time